Off the Wall was a massive success, spawning four Top Ten hits (two of them number ones), but nothing could have prepared Michael Jackson for Thriller. Nobody could have prepared anybody for the success of Thriller, since the magnitude of its success was simply unimaginable -- an album that sold 40 million copies in its initial chart run, with seven of its nine tracks reaching the Top Ten (for the record, the terrific "Baby Be Mine" and the pretty good ballad "The Lady in My Life" are not like the others). This was a record that had something for everybody, building on the basic blueprint of Off the Wall by adding harder funk, hard rock, softer ballads, and smoother soul -- expanding the approach to have something for every audience. That alone would have given the album a good shot at a huge audience, but it also arrived precisely when MTV was reaching its ascendancy, and Jackson helped the network by being not just its first superstar, but first black star as much as the network helped him. This all would have made it a success (and its success, in turn, served as a new standard for success), but it stayed on the charts, turning out singles, for nearly two years because it was really, really good. True, it wasn't as tight as Off the Wall -- and the ridiculous, late-night house-of-horrors title track is the prime culprit, arriving in the middle of the record and sucking out its momentum -- but those one or two cuts don't detract from a phenomenal set of music. It's calculated, to be sure, but the chutzpah of those calculations (before this, nobody would even have thought to bring in metal virtuoso Eddie Van Halen to play on a disco cut) is outdone by their success. This is where a song as gentle and lovely as "Human Nature" coexists comfortably with the tough, scared "Beat It," the sweet schmaltz of the Paul McCartney duet "The Girl Is Mine," and the frizzy funk of "P.Y.T. (Pretty Young Thing)." And, although this is an undeniably fun record, the paranoia is already creeping in, manifesting itself in the record's two best songs: "Billie Jean," where a woman claims Michael is the father of her child, and the delirious "Wanna Be Startin' Something," the freshest funk on the album, but the most claustrophobic, scariest track Jackson ever recorded. These give the record its anchor and are part of the reason why the record is more than just a phenomenon. The other reason, of course, is that much of this is just simply great music. ~ Stephen Thomas Erlewine, Rovi
Thriller
1982 | Epic
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LP
$21.99THRILLER (PICTURE DISC)
09/30/2008
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iTunes
Prices may vary.
Subject to availability.
Videos from Thriller
All Music Guide Review
Thriller Track Listing
Credits of Thriller
- Anthony Marinelli
- Programming, Synthesizer Programming
- David Paich
- Synthesizer, Piano, Arranger, Synthesizer Arrangements, Rhythm Arrangements, Keyboards
- Jeff Porcaro
- Drums
- Dean Parks
- Guitar
- Greg Phillinganes
- Synthesizer, Programming, Keyboards, Fender Rhodes, Handclapping
- Steve Porcaro
- Synthesizer, Programming, Synthesizer Programming, Arranger
- Steven Ray
- Sound Effects, Handclapping
- Julia Tillman Waters
- Vocals
- Greg Smith
- Synthesizer, Keyboards
- Bruce Swedien
- Sound Effects, Effects, Engineer, Mixing
- Rod Temperton
- Synthesizer, Arranger, Vocal Arrangement, Synthesizer Arrangements, Rhythm Arrangements
- Eddie Van Halen
- Guitar, Soloist
- Gerald Vinci
- Concert Master
- Maxine Willard Waters
- Vocals, Vocals (Background)
- Oren Waters
- Vocals, Vocals (Background)
- Howard Wewett
- Vocals
- David Williams
- Guitar
- Dick Zimmerman
- Photography
- Julia Waters
- Vocals (Background)
- David Williams
- Guitar
- Mac James
- Lettering
- Gregg Jampol
- Assistant Engineer
- Bruce Cannon
- Sound Effects, Effects
- David E. Williams
- Guitar
- Stephen Saper
- Engineer
- Larry Williams
- Flute, Wind, Saxophone
- Valadé
- Stylist
- David Foster
- Synthesizer, Synthesizer Arrangements
- La Toya Jackson
- Vocals, Vocals (Background)
- Vincent Price
- Vocals, Rap, Guest Appearance
- Bunny Hull
- Vocals, Vocals (Background)
- Tom Bahler
- Keyboards, Synclavier
- Brian Banks
- Synthesizer, Synthesizer Programming, Programming, Producer
- Steve Bates
- Assistant Engineer
- Michael Boddicker
- Synthesizer, Vocoder, Emulator, Keyboards
- Leon "Ndugu" Chancler
- Drums
- Paulinho Da Costa
- Percussion
- Mark Ettel
- Assistant Engineer
- Matt Forger
- Engineer, Technical Engineer
- Humberto Gatica
- Engineer
- Gary Grant
- Trumpet, Flugelhorn
- Bernie Grundman
- Mastering
- Nelson Hayes
- Sound Effects, Stomp Board
- Jerry Hey
- Trumpet, Flugelhorn, Horn Arrangements, String Arrangements, Arranger, Conductor
- Paul Jackson, Jr.
- Guitar
- Louis Johnson
- Bass, Bass (Electric), Guitar (Bass), Handclapping
- Donn Landee
- Engineer
- Becky Lopez
- Vocals, Vocals (Background)
- Steve Lukather
- Guitar, Bass (Electric), Arranger
- Howard Hewett
- Vocals (Background)
- James Ingram
- Arranger, Keyboards, Vocals (Background), Portasound, Handclapping
- Janet Jackson
- Vocals, Vocals (Background)
- Michael Jackson
- Guitar, Handclapping, Vocal Arrangement, Stomp Board, Synthesizer Arrangements, Rhythm Arrangements, Horn Arrangements, Producer, Vocals (Background), Composer, Drums, Vocals, Sound Effects, Arranger
- Paul McCartney
- Vocals, Guest Appearance, Performer
- Quincy Jones
- Arranger, Producer, Vocal Arrangement, Rhythm Arrangements
- Jeremy Lubbock
- Conductor
- Bill Reichenbach Jr.
- Trombone
- Bill Wolfer
- Synthesizer, Keyboards, Programming