In Hong Kong, Christy Webb taught acting. In Vancouver she’s gone back to school as a student. At 60, the actor director and teacher was looking forward to switching her focus from stage to screen. Then one of her teachers, Mel Tuck, handed her the script for Sharr White’s The Other Place. Now she’s making her Canadian directing debut with the Canadian premiere of the New York hit June 26 at the Pal Studio Theatre.
The 32nd annual Jessie Richardson Awards celebrating the best in Vancouver theatre doubled as Drew Facey Appreciation Night.The production designer picked up three trophies at the Commodore Ballroom Monday night after racking up an unprecedented eight individual nominations, including four out of five nods for outstanding set design for large theatre where he picked up the trophy for the Gateway Theatre’s production of Art.
It’s easier for costume designer Mara Gottler to name the shows she hasn’t worked on for Bard on the Beach than the ones she has. More than 25 years ago actor Christopher Gaze asked Gottler if she’d be interested in designing some costumes for a production of A Midsummer Night’s Dream that he and some friends were staging in a tent on the beach.
Bard on the Beach has revisited most of Shakespeare’s plays during the years but as part of its 25th anniversary season the company’s artistic director Christopher Gaze decided to remount two of Bard’s most successful productions — director Meg Roe’s staging of The Tempest and Dean Paul Gibson’s A Midsummer Night’s Dream.
As the Arts Club Theatre prepares to mount a gala fundraiser celebrating its 50-year history, Bill Millerd’s focus is on the future.
The Arts Club has produced or hosted hundreds of shows since opening its doors in 1964. Here are 10 pivotal moments in the theatre’s 50-year history.
How can a single act of violence change a small town? That’s the question playwright Briana Brown set out to explore in The Concessions — her new play which receives its world premiere June 6 at the Firehall Arts Centre.
Hello Yellow Brick Road. When Wicked opened on Broadway in 2003, most of the major New York critics agreed — the show didn’t work. Sure, there was a lot of talent on stage — everyone loved the lead performers — but unlike the witches of Oz, the verdict was that the production, the music and the story didn’t fly.
The Jesus Christ Superstar Arena Spectacular has been cancelled, according to a press release.
Omari Newton was in Clinton, B.C., working as an extra on the movie Shooter when he heard about a real-life shooting that haunted him. Fredy Villanueva was an 18-year-old Montrealer who was shot and killed by the police in broad daylight while he was trying to stop his brother from being arrested. Villanueva was unarmed.
Maybe it’s because of where we were sitting — close enough to see every sequin — but the secret star of Cirque du Soleil’s Totem is costume designer Kym Barrett.
The supremely silly Spamalot opened Wednesday night and although it’s scheduled to close June 29, you’d have to be the spawn of a “silly person” whose “father smelt of elderberries” to believe it will.
Vancouver just became home to its first marijuana vending machine and drug dispensaries with pot leaf logos are almost as ubiquitous as Starbucks outlets. But the pop rock musical Reefer Madness isn’t about the city’s drug scene. The marijuana musical which debuted in Los Angeles in 1998 offers a modern stoner spin on the classic 1936 anti-marijuana movie Reefer Madness.
A thunderous standing ovation congratulated Norm Lewis as he became the first black actor to take on the title role in Broadway's "The Phantom of the Opera."
Josh Epstein searches for his inner English ‘kniggit’
Wayne Specht is thinking about time. He’s directing RIP! A Winkle in Time, a new comedy inspired by iconic sleepyhead Rip Van Winkle which opens Thursday Night at the Waterfront Theatre, as well as counting down his last few days as artistic director of Axis Theatre, the company he’s run for nearly 40 years.